Interviews
The Peach Tree Tavern - Atlanta, Georgia - May 7th | The Peach Tree Tavern - Atlanta, Georgia - May 7th |
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| Written by Hank "Hitman" Hart | |
| Wednesday, 05 May 2010 | |
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This Friday, May 7th, Connor Christian & Southern Gothic, as well as Leroy Powell of the Shooter Jennings Band will be appearing at The Peach Tree Tavern in Atlanta. Thanks to Val King, a mutual friend, for setting this interview up. I just got off the phone with Connor and it was fun and enlightening. Hitman: Thanks so much for the time, we will do what we can here at Southern Fried to get this posted before this Friday’s gig to give you and the band as well as Leroy some “pub.” Connor: Thanks, I really appreciate it.Hitman: I always ask this of all musicians, and that is, who influenced you musically while growing up? Connor: Well, my answer is not going to be what many people will tell you. It was really bizarre growing up. I lived all over, South Korea, Singapore, Belgium, so the music I was exposed to, this weird stuff, was not your typical music that American kids grew up listening to. Then by the time I was in middle school, you know junior high, that’s when I got into music like for example my first concert being Megadeath, Slayer and Anthrax. When I got to high school I heard Elton John’s album, “Madman Across the Water” and went and listened to all his early stuff, like “Tumbleweed Connection”, loved that stuff, the feel of it, all his stuff up until the 80’s. That’s when I realized that other music I had been listening to when I was younger was all wrong! From Elton John I got into The Band and some of that California country rock stuff like The Flying Burrito Brothers. Hitman: And what was it that brought you to those countries? I have been to South Korea myself, only Uncle Sam sent me there as well as spending almost a total of two years in the Orient and South East Asia. Connor: My Dad was a consultant for the Department of Defense, helping with security for the Olympics. In 84’ we were in L.A., in 88 the Olympics were in Seoul, South Korea, so that’s why all the traveling. Hitman: So when was it that you said, “That’s what I want to do with my life, play and make music?” Connor: Well, that’s funny, because I was at the point....you know the saying, “What do I want to be when I grow up?” Right after I had gotten married my Mom had put together all this stuff from my childhood, and she handed me this piece of construction paper from something I did in first grade for my teacher Miss Lombardi. It was a drawing of me holding a microphone and I had written “I want to be a singer like Michael Jackson.” Hitman: Well, look at that! And now you and the band, Southern Gothic have two CDs out, the second release from last year being “90 Proof Lullabies.” You’ve gotten some good exposure on CMT, and there are a good number of videos on You Tube of the band. When will you start work on the third release? Connor: Well, we’ve demo’ed about 14 tracks and in 3 weeks we’re going to do another 8 tracks. In June we plan on going into the studio and get it finished. We’d love to have it out for Christmas, hopefully October, November. Hitman: I took a look at your upcoming tour schedule and see you have some gigs planned in North and South Carolina, Georgia. Any hopes to hook on with somebody and go a little more national? Connor: We’d like to. Last year we were all over the place with the band Drivin’ and Cryin’. We may do some shows with Collective Soul. That should be interesting, a bit different music, not sure if their fans will get us! Hitman: I took a look at some of the videos on YouTube, as well as my daughter. Some great music there, she liked “Waiting for Princess.” I liked it also, very much. I was thinking, “let me put my finger on this”, and I was saying Marc Cohn, Bruce Hornsby, then it hit me, Elton, from “Tumble Weed Connection!" Connor: Yeah, like “Country Comfort?" Hitman: Yes! I got that feel as well as also “Burn Down the Mission.” Connor: Oh man, thanks! That’s it, that’s the feel. Hitman: One thing I’ve read and heard from others is that your fans are VERY passionate about you. They are not there at the club to just see a band, they are there to see YOU guys. Connor: Yes! It’s funny, we’ve played some places where there were maybe thirty people, and I’m thinking, “how’s this going to work out”, and then they are all singing, singing loud, knowing all the words. It’s great! Hitman: You know, for me, being older than you, it was The Allmans, Skynyrd, Tucker, Outlaws in the mid 70s, to early 80s. Then it all seemed to go away, no more new bands playing that for quite some time. Connor: Yeah, then a little again in the 90’s. Hitman: Yes, and then the second coming with Drive By Truckers, people now like Blackberry Smoke, bands such as yourself. But to some extent, the music has evolved to some degree, how would you characterize yourselves? Connor: Well yes, it’s a little bit of a mix with country, pop, some southern rock, some soul all mixed in. You know that Black Crowes feel to some of it. But we can play, at times we can go into reggae or even classical. Hitman: Yes I got that Black Crowes feel from “It’s Alright.” Connor: Yes, we’ve got a great band, I think we are one of the best live bands out there in the country, at least in this genre. We got really kick ass with our bringing on a fifth member. Hitman: And that member is? Connor: Jeff Spirko. We had gone through numerous fiddle players, and Jeff would fill in with us. I kept on asking him if he wanted to join. Then he asked does that mean Elena (Elena Martin) would be out, because he didn’t want that to happen. “No” I told him. Jeff slides over onto guitar, mandolin, keyboards and at times we will have two fiddles going at it. Yeah, we are really a great live band. Hitman: No matter what type of music a band plays now, or what part of the country they are from, do you think it’s a big advantage nowadays with the technology the way it is, with the exposure, say good or bad of things like “American Idol?” Connor: American Idol, nah, not good, but the other stuff, the MP3s, the Internet, it’s all good. Hey, we’re not selling ten million records so if somebody wants to share my music, download off the internet, share some MP3 files, I’m cool with that. There are countless cell phone videos of us I’ve seen! As long as it’s quality. You know when I was in 6th, 7th grade a friend of mine and myself were already making tape mixes up. We were the guys people would come to and ask, “so who’s the next big thing”, we were so into making the music, sharing it, you know we were listening to Pearl Jam live before others would. We were sort of the authorities. I think it’s great. Hitman: You have a great head on your shoulders, got yourself a degree in journalism, and learned some production work at Georgia State. You directed your video, “3 Times.” When I read what it was about, I had to laugh. It’s about “doing it” three times, right? Man oh man, a guy my age, I’m lucky if I can do it for three minutes! Connor: (Laughing) Yeah, well, I’m thirty now, I did that years ago, so for me too, 3 times in a night now is a stretch! Hitman: So being the level headed guy you are, a good sense of direction, where do you guys want to be a year from now, five years from now? Connor: Well, like I said, hopefully the new album when it comes out will sell well. Instead of 5,000 CDs maybe it will sell a quarter of a million. We’ve done our research, learning how to market it, who to sell to. Hitman: Yes, all that is important, word of mouth though is still one of the biggest ways a band gets help. Being a great live band surely helps. I always use the Outlaws as an example. In the heyday of FM radio where DJ’s would play anything .. Connor: Yeah, when they were allowed to do that! Hitman: Yeah, besides just the one hit on the album, all the stuff would be played, but certain groups, especially The Outlaws, man they just blew people away with their live show and the word kept spreading. Connor: Yeah, here’s an interesting fact we learned. We’ve gotten all this exposure from CMT, but we learned that 50% of people who watch CMT don’t have Internet access! And those that do, half of them never even use it! For us, like I said, we hope this next album which we feel is really going to be good sells well, gets us on Billboard charts. Now it’s a steady paying gig, but that’s through all the shows, the sale of T shirts, merchandise, etc. We want to get to do the amphitheatre shows, you know the bigger shows, get to where Zac Brown is at. His record is still up there after a year. In five years, well by then we should be selling plenty of records, if not, oh well, I may be doing something else, I wouldn’t want to be a bar band in five years from now. Hitman: Connor, thanks for the time, let me see if I can get this turned around quick enough for this Friday’s gig, at The Peach Tree Tavern in Atlanta. Connor: No, thank you, let’s stay in touch, and hey, I’ve got to talk to Charlie of Blackberry Smoke, maybe he can get us some of those gigs with The Outlaws that you’ve told me he’s been doing with them!!
Connor Christian and Southern Gothic is: Connor Christian - Vocals, Piano, Guitar, Harmonica
I also had a conversation with Leroy Powell just as he had finished his dinner at Applebees in Panama City, Florida. The band had just recently finished a gig on Kid Rock's cruise. Hitman: Thanks Leroy for your time. Southern Fried Magazine would love to help get some notice out there for you for this show on Friday.
Leroy: Well thank you Hank, we really appreciate it. I think I've gotten a little touch of laryngitis so I hope my throat holds out.
Hitman: I promise I'll take it easy on you. Let's start off with your musical influences.
Leroy: Anything that's good! There's just so many....Hank Jr., Led Zeppelin, Jimi Hendrix, Kinks, Kris Kristofferson, John Coltrane, Charles Mingus, just everything.
Hitman: When was it where you said, "Yeah that's what I really want to do, make music for a living"?
Leroy: Well, I started really young playing music, something I just always did, never really thought about it as a job. I don't think you play music for the sole purpose of being compensated. You can't really be good at it unless it's something you're doing because you love it, you want to do it, not that it should be a job.
Hitman: Your music, it's something that's played anywhere in the country, no matter where, do you get a charge out of knowing it's liked all over?
Leroy: Oh yeah, not just in this country, but knowing people like it in Spain, England, or even Japan. It's cool, I get emails from all over, and it's funny seeing how they are written but the music, if it's good music, it's creating a good feeling no matter where, it opens up people, and that comes across in the music. That doesn't happen when people make music as a job.
Hitman: When I checked out your website I loved the poster, "Wanted", it immediately made me think of the album by Waylon and Willie, Jessie Colter, "Wanted! The Outlaws".
Leroy: Yeah, that's it. I mean I played with Shooter Jennings, Waylon's son, and that sound on that album, that was the feel I was trying to get. Their influence on me, on the music I made for that record back in 2007 where that poster comes from, yup, that's the sound I was looking for. That sparse sound like Willie and The Dillards.
Hitman: Currently for you and The Messengers, what's happening now?
Leroy: Well, in an organic sense, you know I moved to Nashville in February of last year. I had just started playing around with Dean Tomasek (bass), you know a few songs at a time. It just seemed right, and then Scott Easly (drums) played a little at a time. You know we played a riff, played it over few times, songs got written, it just kinda seemed perfect, not hard, it just really flowed, it seemed really right. We've got 14 songs finished and we will be going back into the studio to mix a couple of songs. We don't have a label right now, and I'm looking carefully to see who can help us. I've been thinking of doing it alone, I don't need some dipshit who really doesn't get what I'm trying to do, but would be great if there's somebody who gets excited about what he hears, that really wants to help us out.
Hitman: Some bands are known to be great in the studio, but live they are lacking something, and other bands, are really known to be a great live band, really go out and kick some ass. How do you see you yourselves in that aspect?
Leroy: Well, it's sort of like Zeppelin. They made great records, but live, you always got something different, a different sound, different layering to the songs. I don't want to play the same solo twice. I'm proud of this new record. Me and Dean (Tomasek, bass player) and Scott Easley (drummer) have made some great music. I mean we really have got a spectrum of sounds from some soft stuff to just out of space stuff, meant for playing in theatres for people to be yelling.
Hitman: Well, that's sort of how it was when you played with Shooter Jennings, that sound!
Leroy: Yes, that was me on guitar. I take ownership of that! I mean I helped contribute to that sound, I owned it. It was me, and you should always take ownership of what you contribute, it's the playing, man if you love it, that feel comes out. It's something you can't phone it in, you gotta play it.
Hitman: I've asked this of others..that southern rock sound, it's still loved in the Northeast, from way back in the 70s, bands like The Allmans, Tucker, Skynyrd, Outlaws..why do you think it's so beloved?
Leroy: Again, it's the feel. People can just sense when a band is really playing to play, not to make money on it. It's genuine. I'm originally from L.A., but you know, I think you're right, like an example is Upstate NY. I lived in NY for awhile, and there is that feel especially upstate New York.
Hitman: Yes, ironically Outlaws member Henry Paul is originally from Kingston, NY, the upstate area. Yeah, the same work ethic, blue jeans, flannel shirts, working with your hands which can be identified easily with people in the south. After that initial wave of southern rock, it faded in the 80s with disco, and later in the 90s, we started getting that second coming, you know Drive By Truckers, Black Crowes, how obligated do you feel carrying that sound on? That "southern spirit?"
Leroy: Well, I think what happens is when you hear that music, it just gets you inspired to play that good. I mean, like Dickey Betts, listening to him, learning it, and then when you play, it's within you, it comes out of you. I think we feel obligated to be that good.
Hitman: And you and The Messengers? Your sound comparing it to those 70's southern rockers?
Leroy: Oh yeah, we are southern rock, and we got the blues mixed in, and hey even a little metal sound.
Hitman: Today's curent state of the music biz? Good, bad, like American Idol, Internet, Ipods?
Leroy: American Idol is detrimental, it's like a game show. It's like karoke. Today's radio, it's all corporate. Man, you get such limited freedom for the DJ's, they gotta keep sponsorship happy. The music that's played on the radio, you can't have free thinking, I mean if BP Oil is one of the sponsors, you aren't going to have people playing music about things that affect the environment. You know people like John Lennon, Bob Dylan, man, they'd have a hard time having their music played on the radio now. Ipods are the next musical revolution. I mean American Idol, these people deciding who should go on and who shouldn't and the winner of this "game show" makes records and it sells, it's all wrong.
Hitman: Yeah, I agree, about Idol and the Ipod; it's your very own radio station, you can program what you want to hear. I had that conversation with New York City DJ Ken Dashow who said today's radio is all about money, and the tight playlist's, to make everybody happy, especially the sponsors. FM radio today is not your own Ipod of songs you want to hear. Yes, having an Ipod gives you that freedom to program your "own" station. You said it well, the next music revolution!
I've got to ask you this, because you played with Shooter Jennings, and he is engaged to actress Drea De Matteo, yes?
Leroy: I think they are married now.
Hitman: Well, me being from Jersey, which is where the show the Sopranos is based, that's a cool connection for me, she was "Adriana" on that show and now she's on Desperate Housewives. I have got to ask you, ever see Teri Hatcher around with Drea? I've got a huge crush on Teri, man I just love her!
Leroy: Well, I often saw Drea on the bus, she was a bunch of fun, really sweet lady.
Hitman: Well, I hope your throat is better by Friday, and I hope to see you up here in the Northeast.
Leroy: Oh yeah, I'll be ready Friday! We've got some shows up in the Northeast, PA, Baltimore, I think Manhattan in August.
Hitman: I will keep in touch, we will continue to talk you up, and I will come see you in Manhattan. We think it's important to keep this music out there for you, the magazine was started by the late George McCorkle of Marshall Tucker
Leroy: Now that is cool, I got a chance to play with him around 4 years ago or so. I appreciate what you folks are doing, it's nice to know there are people who want to help promote this kind of music. Thanks again!
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| Last Updated ( Wednesday, 05 May 2010 ) |
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