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Here are some must have CDs that will be released very soon:G=MC2 is the Follow up to Marshall Tucker Founding Member George McCorkle's "American Street". Jimmie Van Zant : Jimmie has completed his second CD. More info on this in our next issue. However, I have heard some advance cuts, and all I got to say is WOW! Great CD. Candy Coburn: Candy''s new CD "Rev It Up" has just become available at her website. www.CandyCoburn.com
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Current Featured Artist: Jimmie Van Zant
Previous Featured Artist:
Candy Coburn Click Pictures to See More
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Join us...Join us...Join us...
Fantastic opportunity for self-motivated individual! Join our sales team.
Work your own hours, from your own home. You will have the support of the magazine staff, but will be resposible for generating leads.
Work on commission.
Send resume and letter of inquiry to:
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Guitars autographed by
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An Evening With Southern Rock Friends....
Posted by admin on Friday, February 01 @ 10:50:00 CST (1389 reads)
The other night I was invited down to hang out with friends Tommy Crain (Charlie Daniels Band), Monica Perry (Singer.Songwriter), Donnie Winters (Winters Brothers Band) and Keith Landry (ToTo, Lee Greenwood) down in Franklin, Tennessee. What a wonderful evening of music and true Southern Rock and Blues. Tommy's band, The Crosstown All-stars, took the stage and just demonstrated why he is the signature guitar sound for the Charlie Daniels Band for over two decades. I spent the evening laughing, smiling and shooting pictures. Most of the audience was oblivious to the number of celebrities hanging around the little bar that evening. That being said, I am a believer that pictures speak louder than words. Especially, when they are coming from me. So, I will let a few pictures tell the story...
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Southern Music Alliance
Posted by admin on Friday, February 01 @ 01:08:38 CST (1348 reads)
 The Southern Music Alliance is pretty much exactly what its name implies. It is a gathering of Southern Music related Artists, Industry Professionals, and Fans coming together to form an entity which promotes southern music. Sounds simple, right? Want to know more? Southern Music Alliance is the brain child of Bruce Wall, who has teamed up with all of his industry friends to create a unique opportunity for everyone. The organization offers everything from Website development, promotion, booking, merchandising, and marketing, to lots of special offers for fans. The website, which is still under development, will offer different levels of access for professional members, Artists, and Fans. The organization already contains members from several Southern Rock's greatest bands. The purpose is to provide one stop shopping for everything southern music related. The site contains stores, music, and information. It also contains a new management company called "Blue Room Management" which already works with several Southern Rock Legends including "Dangerous Dan Toler". There is also a T-shirt/merch company co-owned by Dan Toler. For more information go to www.SouthernAlliance.org
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Rowdy Frynds Tour is Back!!!
Posted by admin on Thursday, January 31 @ 23:05:00 CST (1918 reads)
 (Nashville, TN)- Fans will have the opportunity to enjoy some of the best music imaginable when Rock & Roll Hall of Fame members, Lynyrd Skynyrd join country music icon, Hank Williams, Jr. for another round of their Rowdy Frynds Tour hitting cities nationwide beginning April 4th. Ranked as one of the Top Ten Concerts of 2007 based on shows played, the following of these two legendary acts is evident. In 20 dates nationwide the tour grossed over $10.5 million. “Our following of fans fit together perfectly,” said Johnny Van Zant. “We can’t wait to get back out there and have some fun!” “Last year was incredible, “said Hank, Jr. “How could we not get together for another round?!” Ranked as one of the best-selling bands of all time by the Recording Industry Association of America and recent Rock & Roll Hall of Fame inductees, Lynyrd Skynyrd is still going strong with almost 65 albums, 30 million albums sold to date, and over 80 performances annually. To date, the Southern anthem “Sweet Home Alabama” has passed the 1,000,000 mark in downloaded master ring tones, proving that Lynyrd Skynyrd is a major industry icon that appeals to all generations. Five-time Entertainer of the Year, Hank Williams, Jr. is a giant in country music. As the voice of Monday Night Football for 19 years he can ignite a crowd with his famous words, “Are you ready for some football?!!” He is also the first country performer to ever receive an Emmy and three more soon followed. He is the original country boy who has carved his own path in this industry, staying true to himself and proving that “A Country Boy Can Survive.” Rowdy Frynds 2008 Tour Dates:April 4th Giant Center- Hershey, PA April 5th US Bank Arena- Cincinnati, OH April 11th Wolstein Center- Cleveland, OH April 12th Nationwide Arena- Columbus, OH April 18th Sears Centre- Chicago, IL April 19th The Palace- Detroit, MI April 25th Cajundome- Lafayette, LA April 26th CenturyTel Center- Shreveport, LA May 2nd The Arena at Gwinnett Center- Atlanta, GA May 3rd Mississippi Coast Coliseum- Biloxi, MS May 9th Coliseum Complex- Greensboro, NC May 10th Thompson-Boling Arena- Knoxville, TN May 16th John Paul Jones Arena- Charlottesville, VA May 17th Mellon Arena- Pittsburgh, PA May 30th Rupp Arena- Lexington, KY May 31st Bobcat Arena- Charlotte, NC June 6th Fed-Ex Forum- Memphis, TN June 7th Enterprise, AL- BamaJam June 13th Marion, SC- Marion County Country Music Festival June 14th Veterans Memorial Coliseum- Jacksonville, FL For more information on Lynyrd Skynyrd, please visit www.lynyrdskynyrd.com. For more information on Hank Williams, Jr. please visit www.hankjr.com.
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Music Reviews - Bruce Wall/Tamar Fleishman
Posted by admin on Thursday, January 31 @ 23:15:00 CST (2646 reads)
Review of Chris Hicks' - "Dog Eat Dog World" - By Bruce Wall

In a Dog Eat Dog world Chris Hicks is cooler than Scoobie Doo... I had been anxiously awaiting the release of this CD for over a year now. Chris is one of my favorite artists working today. Chris is a very versatile musician mastering every instrument he touches. He is a skilled guitarist, keyboardist, harmonica player, as well as vocalist. He is the music director for The Marshall Tucker Band, as well as their lead guitarist. This CD features Paul Hornsby producing, and lots of special guests. Chris blends Blues, Funk, and Soul to achieve a truly rockin' southern sound. This is in my top three new CD's to come out in 2008 and definately recommend it for all you Southern Blues/Rock fans out there. Yesterday I had the CD blaring when a Nashville producer associate of mine stopped by. He immediately commented on what a great CD it was. So, do yourself a favor, pre-order yours at... http://www.cduniverse.com/productinfo.asp?pid=7608430
Trivia: The guitar seen on all the photos for the CD is a George McCorkle signature Honey guitar given to Chris by George McCorkle and myself. Only 100 of these were made. There are only a few left as most went to friends and family of George who sadly passed away last June. If you are interested in acquiring one of the few remaining guitars go to.... http://www.southernalliance.org/Store/. Look for an interview from Chris Hicks coming soon...
Review of "Carolina Dreams '77" - Marshall Tucker Band - By Bruce Wall
This CD/DVD set is probably the greatest piece of Southern Rock history to be released in over twenty years. The folks at Ramblin records took a lot of time and expense restoring these tapes for release. It is one of the only complete live shows I am aware of in mainstream distribution. It captures The Marshall Tucker Band in their full prime at the peak of their career. Some creative engineering had to be done to restore some of the damaged parts on the tape. I have to take my hat off to my friend Doug Gray for making sure this was released for all to see. Like Ronnie Van Zant said, "You have to be a fan of The Marshall Tucker Band before I will sit and have a drink with you." So if you only buy one CD or DVD all year buy this one.... You will not regret it. Available at Walmart and www.MarshallTuckerBand.com
Review of "Brothers of the Southland" CD - By Bruce Wall
I don't care which Southern Rock band you are a fan of, this new CD is for you. The band features Dangerous Dan Toler (The Gregg Allman Band, The Allman Brothers, Dickey Betts & Great Southern), Jimmy Hall (Wet Willie, Jeff Beck and Hank Jr.), Steve Gorman (Black Crowes), Henry Paul (Outlaws, BlackHawk), Reese Wynans (Stevie Ray Vaughan), Bo Bice (American Idol). I was honored to witness this project come together from day one. Was invited into the studio, first rehearsals and their first show. If you want to witness the pure magic of music that seems to be missing these days, this is it!! Look for a spring release of the CD and a Tour. Until then, you can download the whole CD at www.SouthernAlliance.org/smashop
Trivia: This was the last project George McCorkle was involved with prior to his passing. By the magic of modern technology, George appears on "Can't You See" with Bo Bice. He also wrote 3 of the tracks on the CD. On another note, the Myspace page and download store had over 15,000 hits within a matter of hours.
Review of Jimmie Van Zant - "My Name Is Jimmie" - By Bruce Wall
What can I say about this CD? I loved this project so much I invested my own money into it. It is 100% Van Zant and 1000% Jimmie.... Jimmie and producer Timothy Eaton achieved a distinct Jimmie Van Zant sound. This a a complete departure from Jimmie's first CD "Southern Comfort". It demonstrates that Jimmie is a lot more than just a member of the Van Zant family. All I can say is go to www.JimmieVanZant.com to preview the CD and Video. The CD is slated for release this spring along with a performance at the CMA Fanfare in Nashville. Way to go Jimmie!!! Great CD and I am proud to be part of it and call you friend!!
Review of Bo Bice's "See The Light" - Bruce Wall
This CD is pure Southern Rock!! I spoke with Bo about the CD at the Brothers of the Southland rehearsals in Nashville. Bo was excited about the CD because it was the first CD that was pure Bo Bice. Bo had control over the content on this CD and shows his Southern Rock roots with an excitement only Bo can provide. I can not find a weak track on this CD and again, I would say this is truly one of the best CD's of 2008. The video for Bo's first single "Witness" has topped the charts on VH1 for weeks. Way to go Bo!!! This again goes to show Southern Rock is alive and well. The record industry could stand to learn from CDs like Bo Bice and Brothers of the Southland. Give the people good music and they will listen and purchase. To listen to tracks and order go to http://www.bobice.com/music#120
Review of Van Zant's "My Kind Of Country" - Bruce Wall
This CD is the follow up to Johnny and Donnie's "Get Right with the Man" CD. The boys show the world not only are they Southern Rock's Royal Family, but the Kings of Country. I love this CD because in normal Van Zant style the songs touch the heart one minute, make you laugh the next. Johnny and Donnie never disappoint with music that has meaning. This CD is probably my favorite of the year because so many of the songs hit home with me. As a father, "That Scares Me" has become an anthem to me. The song "Friend" took my breath away. With the loss of my best friend, Southern Fried co-creator, and Marshall Tucker guitarist, George McCorkle, this song really hit home. It said everything I felt and wanted to say to my friend. If you are a Country fan, Southern Rocker or just a fan of good music, you absolutely need this CD... Check it out at www.TheVanZants.com
Review of Matt Zeiner Band – Col. Tamar Alexia Fleishman
"Matt Zeiner" is an album of the Dickey Betts Band (vox/keyboard). He’s brought his skills to his own band....a self-declared combo of Rock, Soul, Funk and roots. Not surprisingly, Matt counts The Allman Brothers, Dickey Betts and Miles Davis as his influences, and yet, his voice has a Van Morrison quality to it. “The Crash” has a Classic Rock/Southern Rock ballad mix sound. “This is The Life” shows his ability to write thoughtful lyrics. “Can’t Get a Nickel for a Dime” has a power-Country ballad quality to it. “Melody” has some Allman Brothers-like riffs. His debut CD, “Live on a Summer Night”, is well produced with clear sounding vocals.
Review of Hammertorch – Col. Tamar Alexia Fleishman
Hammertorch is a newly formed Country-Rock band from Murfreesboro, Tennessee. They list as their influences The Band, CCR and Tom Petty. There are five musicians in the band and they have a solid Southern sound, with even a few Skynyrd-like and MTB-like riffs. The lead singer has a very honky-tonk kind of voice.
Not content to just throw out covers, their twangy songs include “Dark Country Night”, “Murfreesboro Motel” and “Flat Tire.” I’m sure they provide a fun, good ol’ boy experience live. You can see them at the Mercy Lounge in Nashville.
Review of Blue Eyed Grass – Col. Tamar Alexia Fleishman
Blue Eyed Grass is a modern “new- grass” duo, with modern Country and Bluegrass influences, a la Allison Krauss or even Kathy Mattea. The duo is Delnora Reed (who was a finalist in the Miss West Virginia pageant) and Jayron Weaver (who you might remember from Nashville Star 2005). They both play guitar and mandolin.
Blue Eyed Grass has a sophisticated sound that you can hear in songs like “Sweet Intoxication”, “Fill Me Up” and “As I Am”. While the instrumentation is fairly simple, the vocals are clean and soothing. For more information, check out http://www.myspace.com/blueeyedgrass.
Review of Karen Collins and the Backroads Band – Col. Tamar Alexia Fleishman
West Virginia born, but Maryland/DC-based Karen Collins is a real old school country singer, who will remind you of other women who got their start in DC: Hazel Dickens and Patsy Cline. She’s got the high-pitched yodel and honky-tonk thing going. Her band is made of 4 people, complete with steel pedal guitar, etc. Songs like “Guitar Queen” and “Tail Light Blues” have a retro sound that should appeal to lovers of Classic Country.
She can be seen at outdoor fests all over the DC area.
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Charlie Daniels Joins Grand Ole Opry
Posted by admin on Thursday, January 31 @ 23:00:00 CST (1255 reads)
 January 22, 2008 — An emotional Charlie Daniels became the newest addition to the roster of the Grand Ole Opry during Saturday’s edition of Opry Live on GAC. The induction came after Marty Stuart joined the Charlie Daniels Band at Nashville’s Ryman Auditorium for a rendition of "Long Haired Country Boy." Marty, aided by wife Connie Smith in welcoming Charlie, noted that the Opry is "a steady force in the midst of many passing trends," adding that that is "also an exact, word-for-word description of you." Charlie remembered how his family would listen to the Opry every Saturday night when he grew up in North Carolina. "For me to stand on this stage tonight," he said, "the same stage that Ernest Tubb and Roy Acuff and Hank Williams and Bill Monroe and all of those wonderful, wonderful people — my heroes — stood on, and to stand in front of this crowd, especially in this building, and to go out over the airwaves is more than I can say." Marty and Connie accompanied him on a rendition of "Drinkin’ My Baby Goodbye," and Montgomery Gentry and Trace Adkins joined the group for Carter Family classic "Will The Circle Be Unbroken." Grand Ole Opry Live airs every Saturday at 9 p.m. Eastern Time. http://www.gactv.com/ CONGRATULATIONS CHARLIE FROM EVERYONE HERE AT SOUTHERN FRIED!
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TEXAS HOLDEM UPDATE by “Wailin” Michael Weldon Osborn
Posted by admin on Thursday, January 31 @ 23:00:00 CST (1187 reads)
Here’s what has been going on for us since our interview with Southern Fried Magazine last year.
We finally got band t-shirts and a short (6 song) CD and a live bootleg CD out as well. The live CD is me and a couple musicians who put together at the last minute. So it’s not actually a “Texas Holdem” CD, which makes it more amazing since I didn’t even know these guys till we took the stage at JJ’s world famous blues club in Santa Clara CA. I’m going to put the whole story on how that night came to be on the album sleeve. The recording is just a live bootleg. The club regularly records performances and they gave me a CD at the end of the night. When I listened to it the next day I thought, WOW, some of those tracks are pretty good. The challenge was the recording quality, so I kinda agonized over releasing this one, but in the end I decided to do it (after having it professionally mastered at a recording studio) and I hope everybody likes it. There’s ,I think, 10 tracks on it and we’ve started selling them for $10 at shows, soon I hope to put them for sale on the web site as well. There’s a number of new venues for us around the Bay area and Sacramento area that are now regular stops (see the website for gig info) and were hoping to play a lot more casinos and festivals in 08.
I got a chance to be a guest DJ on “The Bone” 107.7FM and hang with Steven Seaweed. That was awesome and it gave me a real publicity boost. A local TV show “Makin’ Music” did a show on me featuring a live television performance and the newspaper here where I live (Campbell) has expressed interest in doing a story on me.
Our website is up and running. You can see all our gig listings there, leave a comment, join the mailing list and buy merchandise.
Thanks and keep ROCKIN!!! “Wailin” Michael Weldon Osborn
http://www.michaelosbornmusic.com/texasholdemband.html http://www.myspace.com/wailinweldonosborn
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Michael Paul - Susan Snider
Posted by admin on Thursday, January 31 @ 23:00:00 CST (1448 reads)
 You may see that Michael Paul has a article in Southern Fried as “The Michael Paul Band.” You're not seeing double. Michael also has a solo singing career and I had the opportunity to see him perform live at his CD Release Party. I have also seen him perform with the band. But this is about his solo career. The CD release party was held at “The Rusty Porthole” in Bethal Island. Michael was already on stage playing and singing when we arrived. I must say his ability as a solo act is incredible. With each song he sang he would open by telling the audience who wrote the song and the situation that brought the song to life. Which by the way, his wife Tammy wrote a lot of. Very nice Tammy!!! The audience definitely loved him and his music.
I have had the chance to listen to the CD and I love it. The title of the CD is “It’s Cowboy Time.” And that it is. Down to earth songs with a meaning. I want to talk about three songs specifically. 1) "I Are An Angel”.... This song was written by Michael’s wife Tammy. She is a nurse and was taking care of a 4 year old that was dying. Tear jerker? YES.....this song is Tammy’s way of remembering a little girl that was so brave to the very end.
2) “Rocket Planes and Baseball” Michael wrote this when his first child was born. He sings about the things they will be doing such as, pillow fights, camp fire nights and seeing monkeys at the zoo. Hoping their good times never end. And how being a Dad ain’t half bad. It goes on to say how his little brother was born and it was twice the hugs and twice the fun. Very proud to be a father.
3) Then there is “It’s Harley Time”, which is the same as “It’s Country Time” but switched the Country to Harley. This was written for Tammy’s father who loves to ride. He sings about enjoying the open spaces, leathers and boots. He has a bike to ride and it’s Harley Time.
This CD is a must have for your collection. I love mine and listening to it while typing away on the computer or just relaxing, kicking back. Please check out the links below for information on Michael Paul and how you can get your CD and Shirt.
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Exciting New Opportunity for Music Fans
Posted by admin on Thursday, January 31 @ 23:00:00 CST (1197 reads)
Are you a music fan? Want to get free music? Want to hear music before it is released? Want your opinion to make a difference? Well, The Southern Music Alliance has the opportunity for you. They are looking for fans to evaluate new music in exchange for credits towards downloads and merchandise. The only thing you need to do is listen to new/unreleased music and give your opinions. If you are interested, join up and become a member of the magazine and email admin@southernalliance.org to be added to the list.
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.38 Special Concert Review by Susan Snider
Posted by admin on Thursday, January 31 @ 23:00:00 CST (2646 reads)
January 5th, 2008 Colusa Casino, CA
I would like to thank Andy and Mark for the tickets and meet & greet passes. Once again, without them we would not have been able to go. You two are the best.
When we got to the casino Randy & I were able to go in and talk to John, the sound tech man. John is a really good dude and always gives us some personal time with him. This was all before we got our passes & tickets to get in. Come close to show time we got our package and went inside, taking with us Mike & George from The Gator Alley Band. Mike plays guitar and George is the sound tech for the band. I immediately introduced George to John who hit it off great and John (bless his heart) took the time to talk with George about sound stuff LOL......I don’t know how else to put it. Of course, Mike and Randy had their conversations with John, too. John turns no one away. At the show along with us was Tom & Marlo who we met at the show in 2006. We have been friends ever since.....which goes to show you how concerts can produce great friendships. Tom & Marlo are big fans and we have been in touch ever since 2006 and will continue. Also, there was Cutty (Gator Alley Band) & his wife Robin with her parents who bought them the tickets. Fun was had by all.  We went into the meet and greet and it is always fun to see the guys of .38 Special. John had given us a set list so Randy had the band sign it. I had received a hat for Christmas like Donnie’s, so Donnie signed it for me. Talking with Donnie is always a pleasure and he always seems to be happy to see us. Small talk was exchanged and pics were taken. I didn’t get one with them this time. I was too busy taking pics for others. No big deal to me now. I’m just happy to talk with them and have a chance to see them perform. As always they blast on stage and the crowd goes crazy. It was a good night. They opened up with “Rockin Into The Night” which is certainly an old tune but a favorite to all. Donnie was wearing a beautiful black leather jacket but soon shed it when the lights got too hot for him. Don Barnes, as always, thrilled the audience with his singing and guitar picking. L.J. and Gary still keep to the back of the stage just happy to be performing and not being center stage. I sure wish they would so I could get some good shots of them. Bobby, with his hair getting long again was in his prime and always will be. And Danny Chauncey will always “WOW” the audience with his back up vocals and guitar playing. When they broke into “20th Century Fox” the crowd was roaring and the band was rockin out. These guys enjoy their job and give the audience their money’s worth and MORE!!!  Set List Rockin Into The Night 20th Century Fox Back Where You Belong Wild Eyed Southern Boys Squeeze If I’d Been The One Help Somebody (Van Zant) Fantasy Girl Trooper With An Attitude Drum Solo
Medley of songs Paradise Somebody Like You Teacher, Teacher Rough Housin Stone Cold Believer Like No Other Night 2nd Chance Caught Up In You Chain Lightin Hold On Loosely USA/Traveling Band
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The Band South of Georgia
Posted by admin on Thursday, January 31 @ 23:00:00 CST (495 reads)
Anonymous writes "is in the studio recording a new album with Grammy winning Producer and engineer Phil Nicolo and Producer Dean Davidson in Phillidelphia at Studio 4. You can learn more at www.southofgeorgia.com"
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Brothers of the Southland with Bo Bice - Advance Download
Posted by admin on Saturday, December 08 @ 12:51:52 CST (2003 reads)
The folks bringing you the Brothers of the Southland CD are offering a limited time Advance Download of the CD.
Brothers of the Southland, great new music from a legendary line up of musicians; Jimmy Hall (Wet Willie, Jeff Beck), Henry Paul (The Outlaws, BlackHawk), Steve Gorman (The Black Crowes, Jimmy Page), Dan Toler (Allman Bros, Dickie Betts), Mike Brignardello (Giant), Reece Wynans (Stevie Ray Vaughn), Steve Grisham (The Outlaws), Jay Boy Adams (Texas Blues Master) and featuring two awesome cuts by Bo Bice. This amazing collection of songs produced by D. Scott Miller, will satisfy the most die hard Southern Rock and Bo Bice Fans. The CD also features two tracks written by the late George McCorkle (Marshall Tucker Band). George was scheduled to appear on the CD prior to his death in June.
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Charlie Daniels Inducted into Opry!
Posted by admin on Friday, November 23 @ 10:02:59 CST (620 reads)
Congratulations to our friend, Charlie Daniels, for being inducted into the Grand Ol' Opry! Martina McBride invited him by surprise during his annual Christmas for Kids concert at the Ryman Auditorium. The Opry backdrop was unfurled during his performance.
Charlie will be inducted officially later this winter at the Opry.
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Supe Granda's (Ozark Mt. Daredevils) NEW CD!
Posted by admin on Wednesday, November 21 @ 11:44:06 CST (598 reads)
Greetings, friends,
Hallelujah. It finally happened. That new record I've been talking about, for so long? It's here. ˜Same Shift, Different Day™" just came in the mail and is now available. It's my first record in six years with new material on it and I'm very excited about it. (Pasta Man was a live recording of old songs).
You won't find this record in your local record store, as it'll only be available through www.supeline.com and CDBaby. Send check, cash, money order or wampum for $15.00 to the address below. If you want a second disc, twenty bucks will get you two. You can learn more about it below. Hope this finds you well and may your holidays be filled with whatever you want them to be filled with. Cheers,
Missouri Mule Music P.O. Box 22456 Nashville, TN. 37202
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Carolina Dreams '77 - Live
Posted by admin on Tuesday, November 20 @ 15:12:51 CST (688 reads)
New 2 CD / Live DVD Set to be released on December 4th
Additional Information about Carolina Dreams Tour '77 [12/4] * [CD & DVD] Portions of this page Copyright 1948 - 2007 Muze Inc. All rights reserved.
Track listing No track list available DISC 1: 1. Fly Like an Eagle 2. Long Hard Ride 3. Searchin' For a Rainbow 4. I Should Have Never Started Lovin' You 5. Heard It In a Love Song 6. Take the Highway 7. Fire On the Mountain 8. In My Own Way
DISC 2: 1. Never Trust a Stranger 2. 24 Hours At a Time 3. Ramblin' 4. Can't You See 5. This Ol' Cowboy 6. Will the Circle Be Unbroken
DetailsPlaying time:101 min.Producer:Doug Gray, The Marshall Tucker BandDistributor:Sony Music DistributionRecording type:LiveRecording mode:StereoSPAR Code:n/a Album notesThe Marshall Tucker Band: Toy Caldwell (vocals, guitar, acoustic guitar, steel guitar); Doug Gray (vocals, tambourine, background vocals); George McCorkle (acoustic guitar, electric guitar, 12-string guitar); Jerry Eubanks (flute, saxophone, keyboards, background vocals); Tommy Caldwell (bass guitar, background vocals); Paul Riddle (drums).
Stay tuned for Bruce's Multimedia interview with Doug Gray about Tucker Band, George McCorkle, and the new CD set.
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Music City Nights
Posted by admin on Saturday, November 17 @ 13:03:13 CST (788 reads)
Anonymous writes "On January 6, 2008 Chris Gantry and co-host, Nicole Hart will hit the stage of “Music City Nights" and that night, the sound of late night television will be forever changed. “Music City Nights” will spotlight artists from every musical genre — rock to country, rhythm and blues to jazz, and Christian Contemporary to alternative music. Let us take you on a journey from yesterday to today, with legends of the past, the hottest musicians of today, as well as up and comers about to burst on the scene, as they all share in the common bond of music.
Joining Chris, Nicole, and the musical icons, are some of today’s most recognizable celebrities and behind the scenes' movers and shakers that make it all happen. Add some zany and ingenious comedy and a live musical performance during each show and that makes “Music City Nights” the place to be seen and heard!
In addition to star-power, the "Music City Nights’” production team will be at the best after parties, inside recording studios and at some of the best venues in Music City. In “These Music City Moments,” Ivey Baird, will take the viewer to the best VIP parties, red carpet events and anywhere that is the in place to be seen.
“Music City Underground” takes the viewer behind the scenes in the music industry with interviews from the people that make it all happen. From Producers to Sound Technicians, from Songwriters to Session Musicians, “Music City Underground” gives viewers an insider’s glimpse of the underground workings of the music world.
Music City Nights is a production of Shofar Productions and will premiere in the Nashville & Knoxville regions in January 08, with webcasts available at http://musiccitynights.com/. The production will seek syndication in the early spring of '08.
Music City Nights … Changing the way you hear late night TV!!
For more information please email: info@musiccitynights.com "
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J4G Video!
Posted by admin on Thursday, November 15 @ 11:07:42 CST (643 reads)
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Lynyrd Skynyrd Plane Crash Video!
Posted by admin on Tuesday, November 13 @ 20:44:05 CST (1587 reads)
A MySpace video with Lynyrd Skynyrd footage along with footage of the plane crash site in Mississippi. It appears the plane crash site footage was taken around the time of the 25th Anniversary concert at the plane crash site.
The Southern Tribute Concert took place on October 5, 2002, and featured Artimus Pyle, Jimmie VanZant, plus country singer Travis Tritt.
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J4G - A Perfect Day - Bruce Wall
Posted by admin on Thursday, November 08 @ 23:00:00 CST (1205 reads)
As many of you know, George McCorkle was not only my best friend, he was a co-creator of this magazine. Justin McCorkle, who I consider my brother, has also contributed to this magazine. That being said, you can understand why this event was so important to the folks here at Southern Fried Magazine. Several of our staff were on hand taking photos, video, performing, and assisting at the event. Our affiliates (Southern Rock Society, 43 The Hawk, and US Legends) were also on hand to help out. I would like to make it very clear that this was the effort of A LOT of very caring people. Justin and I may have started the ball rolling, but it took a large team of folks to make the event happen. I would like to tip my hat personally to all the folks with the City of Spartanburg. Especially, Jane Warner, Mandy Merck, and their team. Justin's beautiful wife, Beebe, who just was simply amazing!!! Rick Willis and the rest of the committee all just went above and beyond to make this day special. And we can't forget all the great sponsors who stepped up to the plate and hit a home run.
This was much, much more than a concert. George McCorkle had touched so very many people. Everyone involved knew and loved George dearly. To some of us, he was a very large part of our daily life. George was my neighbor, my best friend, my boss, my confidant, and most of all a part of my family. He was Justin's father, best friend, and hero. He was Uncle George to the Southern Boys band. Monica Perry was a dear friend and wrote songs regularly with George. Candy Coburn performed regularly with George including his last performance. And the list goes on.
Yes, this was much more than a concert. It was us celebrating a wonderful man, a great musician, a friend, a father, a Legend. You have to understand that as wonderful a show this was, it was very difficult for many of us, especially Justin and Beebe. It was very emotional. To my Lil' Brother Justin: I am so very proud of you. I know your father is... I love ya both very much.
The weather in Spartanburg could not have been any more perfect! It was just as if George had looked down and smiled on the event. I decided not to be the person writing the review, as I was so involved with the event on a personal level, both as part of the organizing team and a performer. A review is being written as I type this by several attendees to be posted onto this commentary. Until then, enjoy a few pictures, since a picture is worth a thousand words. Be sure to see more in the galleries as there are more coming in everyday. We will have video clips really soon as well.
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Jimmie Van Zant
Posted by admin on Sunday, November 04 @ 10:07:32 CST (1110 reads)
Anonymous writes "Jimmie Van Zant is working on a NEW CD scheduled to release for Christmas: "My Name is Jimmie". It is one of the hottest new sound tracks with a new style and sound. This CD is way ahead of its time. With a fresh breath of air, Jimmie has put the Southern sound back in Hillbilly rock that will knock your socks off! This CD has more than one, two and even more than three hits. Take a listen to the samples on his website and give us your opinion. This album is also followed up with Jimmie's new video, "Woke up This Morning," also on the website for review. Look for it in stores around December.
Sign up for Jimmie's new fan club at www.jimmievanzant.com . Jimmie is also now a member of the CMA and will be attending the CMA Awards on Wed. Nov.7,2007, so look for him live at 8 PM Central time on ABC. We have a great new tour planned for Jimmie this year and look forward to coming to your town.
For Booking, please contact www.tntbooking.com Ya'll Come back again!"
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First Big State Festival (Texas!) - Jody Willman
Posted by admin on Thursday, November 01 @ 02:00:00 CDT (1310 reads)
All All right, let me set the scene here. Blue skies hanging’ over my head, 84 degrees and over 50 performers was the forecast for the inaugural “Big State Festival” held in College Station, Texas. This was Oct 13th and 14th at the Texas World Speedway. One of only 7 two-mile or longer ovals in the Nascar circuit. A Saturday and a Sunday in East Texas and 3-½ hours from my front door!
Well, we got our two-day passes two months early for $75 each. A great deal, I thought, until I met a scalper the first day out front selling a two-day pass for $50. The gate price was $95 -- guess that was further proof we were in Aggieland!
Picture this folks: you’re in the infield of a giant racetrack with 30,000 other folks and it’s 11:00 on a beautiful Saturday morning. There are 42 world champion BBQ teams having a cook-off to determine whose is the best. This means free samples galore! There will be two 8-lap stock car races and 34 performers jamming for you on 5 different stages. The Toyota Tundra stage had the most performers that I wanted to see. When the gates opened at 11:00, Mary Ann and I just strolled on over and set our chairs down in front of the stage. I went and got us some super chipped beef and drinks and we settled in for the best concert I’ve ever been to, bar none! The first band was one called, “One Mississippi”. They were okay, but the bass drowned out a lot of the vocals. Next came Leon Russell, or should I say Mister Leon Russell?! A legend that still rocks at 175 yrs. old -- or somewhere around there. We were torn between seeing Los Lonely Boys and the Wreckers. We just saw the Los Lonely boys a couple of months ago, knew they could really jam and put on an awesome show, but we decided to stay put and watch the Wreckers. I’m glad we did -- those two girls can throw down with the best of them. In a town full of college girls, their beauty and stage presence still stood out.
I eased over and caught some of Billy Joe Shaver’s show. Man, that dude can raise the hair on my neck. Then came our next dilemma. Dierks Bentley was starting over on the Bud Light stage and Robert Earl Keen, one of my favorite living writers, was starting his show on our stage. Sorry, Dierks!
Dierks had bad timing or a bad draw for time slots. Going against Robert Earl Keen in College Station, Texas was not the thing to do! Robert went to A & M. and has thousands of loyal fans there. Maybe 15,000 folks packed our stage for his show. Ever hear his song, “The Road Goes on Forever” (and the party never ends)? Well, he released an album called No.2 Live Dinner in 1996 and on the intro to “The Road Goes on Forever”. He tells of going to the second Willie Nelson 4th of July jam at this very same spot. What he doesn’t mention, is he took his dad’s car to the show from Austin without permission! (Becomes relevant.) He said after partying “In the Willie way” all day, he fell asleep and was woke up by the P.A. announcer saying there had been a fire in the grass parking lot and 40 cars had burned up. And the first license plate he read off was Roberts’s dad’s car! He said, “ That’s my car, man.” He sat down in the burnt grass and cried. A man with the venue told him the least he could do was let him meet Willie and it softened the blow some. He went backstage to Willie’s bus. Willie came out and told him he wished he could stay and talk but he had to go jam with Leon Russell! Wow! Willie and Leon were both here for the festival along with Robert Earl Keen. And guess what folks? 20 cars caught fire and burned up in the grass parking lot! Maybe Robert has a fan that goes a tad too far? Or was it just a coincidence? When he took the stage he said, “ That’s not my car man!” Those of us that know him hurt ourselves laughing. After his great show, I snuck over and caught a little of Miranda Lambert’s show. She does hold an audience very well and she’s cute too! However, the reason I came to this festival was about to take the stage 10 feet from my chair: Lynyrd Skynyrd! I guess I should put in my sadness here for Lyle Lovett and his Large Band. The sparse crowd at his stage was slightly overwhelmed by the noise from the Skynyrd crowd at our stage. I’ll say 85% of the people at this festival were behind me for as far as you could see. And, well you know us Skynyrd crowds! The band was incredible! And the crowd was the LOUDEST I’ve ever heard! Johnny was in perfect voice, Rickey was pumped and Sparky, Billy and Ian were all just right on with everything! We sang every word and cried with “Free bird” all 15 or 20,000 of us. What a day!  And to think tomorrow I’d be seeing Jack Ingram, Charlie and Bruce Robison, Willie Nelson, The Drive-by Truckers and Tim McGraw. We got back to our room and the Jacuzzi around 11:00 and when we woke up the next morning in a fog and hungry, we decided to go find a place for breakfast. We drove around College Station for a while and found a Denny’s, got out and decided it was too crowded, and went looking for somewhere else to eat. Maybe two miles from our room and 15 miles from the venue we found an IHOP and had to still wait outside to be seated. While waiting, an older couple walked up with a young girl and some longhaired guy. Mary Ann pointed out to me that she thought the longhaired guy was Sparky! I said no way, but when he turned around, sure enough it was! After waiting for the butterflies to settle and for his conversation to be over, I eased over and said, “Are you who I think you are?” He said, “Yep, I’m Sparky.” I lowered my voice so as not to cause a stir with the other folks outside and told him they rocked that place last night. I told him who I was and he said to tell Bruce and all the folks at Southern Fried, “Hi,” and thanks for supporting Southern rock. His dad chimed in with, “ I’m his Dad!” And his mom said, “And I’m his mom!” I said, “ You done good mom!” We chatted awhile and these folks are real. Down to earth as they come. We split and headed for the second day. All the people who played that day were great, but the rain came on Tim McGraw and the crowd wasn’t as big as Skynyrds’. I was reminded that in my mind, Tim doesn’t really sing as much as he talks. No real depth to his tone. Nice guy I guess, but as far as great singers go, he lacks range. Anyway folks, I don’t know the line-up for next year’s festival, but if it’s anything like this one, I’d advise you to get your tickets as soon as they’re available. Make the trip to College Station next year! Like I said, it was the best concert I’ve ever seen. Until next time, stay fried Southern style!
- Jody
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A Simple Act of Kindness: Lynyrd Skynyrd - Andy Tanas
Posted by admin on Thursday, November 01 @ 01:37:09 CDT (1460 reads)
** SOME OF THIS IS AN EXCERPT FROM ANDY'S UPCOMING BOOK, "THOUGHTS FROM THE INDIE FRONTLINES", WHICH YOU WILL BE ABLE TO BUY AT www.andytanas.com IN DECEMBER, JUST IN TIME FOR THE HOLIDAYS!** I find it strange that time seems to be going by much faster than I can remember. When I was a kid, the idea of having to wait an hour or two for something was unbearable. A week was a lifetime and a year an eternity. Even kids that I talk to today tell me that they can’t believe that a whole year has gone by so quickly. Maybe this is because there’s so much more to keep them preoccupied than when I was that age. If I’d had all the games, videos, computers, cable and satellite TV and that ever present soccer mom, life would have gone by in a breeze. Yet, it just dawned on me that October 20, 2007 was the thirtieth anniversary of the Lynyrd Skynyrd plane crash that took the lives of Ronnie Van Zant, Steve and Cassie Gaines, Dean Kilpatrick and pilot Walter Wiley McCreary and co-pilot William John Gray. For so many, this was the latter day equivalent to the crash that killed Buddy Holley, Richie Valens and JP Richardson (The Big Bopper) in 1959. I’m mentioning this not only as a passing thought, but because I had a life changing encounter with them. Actually, it was more of a combination of a boy-to-man rite of passage and life altering experience. To get this image, you would have had to be in the Memphis music scene in the early to mid-seventies. I was a struggling (still am) musician looking for anything that resembled a break. It was hard times in Memphis, because we didn’t have the thriving local scene that had been around in the late sixties. Stax was hurting due to financial problems and Chips Moman had left American Studios for work in Nashville. The magic had vanished but the city still had that vibe and more importantly, that legacy. I was in a band called Neltan Gritz. Read the book to see how we came up with that moniker. We were a four piece, two guitar bass and drums outfit. We were a little outside the lines with our originals and choice of covers, but had two killer guitarists named Harrell Otis and Bud Grisham. Harrell was African-American and was one of the most passionate and tasteful blues rock players I’d ever seen. He was also my best friend and funny to the point of passing out laughing. We were making baby steps into the local club scene, but there was a glut of so many great local bands that were hungry for work and money. Somewhere around late '73, our drummer called a band meeting and announced to us that he was gay. We didn’t quite understand why this required a band meeting, but we got the “don’t come on to us” thing out of the way and went back to business. All was well until he started showing up for rehearsal in drag. One night in particular, he shows up in hot pants, a black sequined tube top, fishnet stockings, four inch glam shoes and a pink feathered boa. Oh, full makeup too. This was the hotbed topic of conversation for the rest of us and it was all fun and games. That is, until I see two local guys peering in the window of our rehearsal place. One of these was a guy named Bud, who was the local mouth of the South. Memphis is nothing more than a big small town. Everybody knows everybody and the ongoing connection between us is what school you went to and who beat who in football or basketball that year. Needless to say, our drummer’s cross-dressing was the talk of the town among local players and club owners. This made gigs a whole lot harder to get and ruined our credibility big time. One of the best venues in town was called The High Cotton. It was right down the street from Overton Square which was the spot for live bands and clubs. I went in to talk to the owner one day about booking us there. He recognized the name of the band and asked, “You got a nigger and a queer in that band, don’t cha?” That comment, however backward and disgusting, pissed and discouraged me more than I’d ever been in my life. That was my best friend and my bandmates he was talking about. I was also facing up to the idea that there wasn’t much hope for us as a working band in Memphis. We had been rehearsing in the back of a building that belonged to a sound company called Matrix Audio. A good friend of mine named Jim Stanford worked there as an engineer. Jim was coming back from a live sound gig one night, when a kid threw a brick from an overpass that went through the windshield of the Ryder truck they were driving. They were going about sixty five-mph, so it did a real number on Jim’s arm, shattering the bone in about twenty places. I moved in with Jim and helped him through the recovery. As things stood in 1974, it wasn’t a good time to be anyone with dreams and aspirations, much less me. The music store I’d managed was going under and in bankruptcy. My marriage of eight months was in worse shape than that, probably because we’d gotten married way too fast and mostly out of boredom. Throw in my band that was hitting one brick wall after another and you see that being an Andy was a depressing job. Jim came into my work one afternoon and struck up a conversation with me, asking if I liked where my life was at that time. Jim knew everything that was going on with me, so we both had a good laugh over that question. He asked me if I’d consider a job on the road working for this band called Lynyrd Skynyrd. I’d met them earlier that year when they played The Ellis Auditorium. Somehow, I’d ended up at the after show party and met Leon Wilkerson and Billy Powell. Nice guys and fun to talk with. They’d told me about the two of them going back to elementary school together and tales of local band days back in Jacksonville. Jim worked for Rock and Roll Audio that was contracted by Skynyrd to provide sound for their first headlining tour. They had just come off The Who’s Quadrophenia Tour. They were having a hard time finding a third crewmember because of the usual flakes and dregs that thought that being a “roadie” was one big party with little work involved. Skynyrd was also a very hot item at that time, with their first album “Pronounced” already a staple on FM rock radio. “Free Bird” was quickly becoming a rock anthem and “Sweet Home Alabama”, their first crossover Billboard hit. I admired them as a band and loved their records... but I wasn’t and still to this day, not a diehard Southern Rock fan. Don’t get me wrong, because I deeply appreciate so much of that genre. I revel in some killer Marshall Tucker, Outlaws, Allman Brothers and 38 Special. But I’m not as convicted as a lot of my buds. Considering where I was at that point, I said, “Yeah, let’s do it.” The head guy was named Joe Osborne, Bullet for short. I met with him a few days later. A very thin and wiry guy from Texas, with this long dark brown hair and beard. Somewhat of a manic type of person and severely high strung. Kind of reminded me of Rasputin, from that 1930’s movie. He was brilliant at anything sound related and highly opinionated to boot about gear, bands or just about anything. Not sure why, because I was bigger than he was, but he intimidated me. He argued with the crew chief, Kevin Elson, all the time. The plan was to do a small run of about ten dates that January of 1975, up in the Midwest and Northeast, before the big tour started later that month. We had four guys from Continental Lighting, four guys from the Skynyrd crew, a huge Texan named K-boy and three of us from Rock and Roll Audio all crammed into a Winnebago in the middle of winter headed for Detroit. I had never been out of Memphis to speak of, on tour or even entered a Winnebago. I was as clueless and naive as a rube and was slightly overwhelmed by how fast paced and frantic everything was moving. I was also the new guy and had followed a couple of real losers that the other crewmembers hated with a passion. So, I caught constant flack from that 24/7. These guys were brutal, ruthless road warriors and consummate pros. No errors, no mistakes and no tolerance or patience for pussies or losers. Take into account that I was twenty years old, clueless and embarrassingly out of shape. Long story short, that little tour broke me into tiny fragments as a human being. I cried for about two days when I came home and stayed in my wife’s arms like a frightened abused child. What I did see on that tour, was one of the most awesome live bands on the planet. To that point, I thought Jethro Tull was the greatest live band I’d ever seen because of the theatrics and production value. Lynyrd Skynyrd was right to the point, tight and viciously arranged. It was all about tone, execution and the song with them. Nothing pretentious, put on or staged. From the moment they showed up for sound check, there was energy that followed them like vapor trails. I intently studied their every move and mannerism. Seemed like just regular guys by themselves, but from that first note they were as cohesive as thousand year old stone. I watched them night after night and couldn’t believe how one band with three guitars could be so elegantly arranged. Each guy had a job and knew when to play, how to play it and what worked in relation to the song. It was a magnificent and awe-inspiring thing to behold. It also changed the way I looked at music. I had three weeks off before the long tour began. That would have put it right at the beginning of February. I spent the first week in a state of total meltdown trying to recall how many times I was yelled at or called a fucking loser. That male pride of mine was divided into whether I should quit and not go through that abuse anymore or to go back and show them that I wasn’t the goober they thought I was. The one constant thing in my thoughts, was how great that band was live. The tour was in support of the “Nuthin Fancy” record that had just come out. I listened to it several times and liked it but, it didn’t have the edge that their live show had. I believed that I had everything to learn and nothing to lose by going back out with them. I went out to some clubs and saw some friends play only to find myself haunted by horror stories of how bad things still were on the Memphis local scene. That pretty much clinched it for me. What was originally called “The Nuthin Fancy Tour” turned into The Torture Tour because of how many shows there were in such a short amount of time. I left the first week of February and didn’t get back to Memphis until July. We were afforded the luxury of a tour bus instead of that death trap Winnebago. Ironically, one of my most endearing memories in it was driving back from Pennsylvania --after dropping one of the guys off at a hospital for stomach problems. I was driving right about dawn listening to “Heart Like a Wheel” by Linda Ronstadt and Joni Mitchell’s “Court and Spark”. I was in the hills just east of Knoxville, Tennessee on I-40 and had this feeling of peace and clarity envelop me. Almost like that was exactly where I supposed to be at that moment. If you want more detail on the events of that tour, you’ll have to read the book. Suffice to say, I saw some of the best concerts and performers I’ve ever seen in my life and no one ever got the best of Lynyrd Skynyrd. I also saw them at their worst. All due to excess of some shape or form. The drinking was way out of hand at times and cocaine was abundant. That was my biggest mistake of 1975, trying cocaine. If you have low self esteem or insecurities, cocaine is your most deceptive best friend. I related to them on a personal level, because they were so much like these guys I’d grew up with back in Frayser, just north of Memphis. Good hearted and humble but itching to pop you in the mouth for any reason or just for drill if deemed necessary. I saw Gary lightly punch a crewmember for some smart ass remark he’d made. Not enough to hurt, just get his attention. I saw Ronnie punch Billy Powell’s two front teeth out in his room one night. I was there when Ed King left the band under very tense circumstances. I was also there for the Jacksonville riot that broke out when Ronnie announced he couldn’t sing at the homecoming concert that had been sold out for months. When I joined the sound crew, Bullet told me in very plain terms to stay away from the band and keep my mouth shut at all times. I understood the reasoning behind this, because my predecessors had tried to buddy up to them and it came off real bogus. So, I kept my distance and followed suit. I got to be friends with Allen Collin’s guitar tech named Chuck Flowers. Really good guy that liked to get drunk and propose to strange women. It was quite a sight to walk into his room and find him so drunk he’s cross eyed. He’s clinging to some babe and yelling “T, this is the one. I’m marrying this one, T.” I always said they made a lovely couple and would have beautiful children. I also asked if I could be the best man. Chuck mentioned to Artimus Pyle that I played bass. Artimus was a sweet soul and an incredible drummer. He was an ex-Marine that got the gig with Skynyrd through the Marshall Tucker boys. I passed by his room one night and the door was open. I knocked and walked in to find Artimus doing pull-ups of the balcony of his room that was about fifteen floors from the ground. We talked about great players like Stanley Clark, Return to Forever, Jack Bruce and the like. Artimus showed up early one afternoon while I was cleaning up cables. He asked if I had my bass close by and if I wanted to jam a little. Timing couldn’t have been better if I’d planned it. Got my 1970 Rickenbacker 4000 bass, plugged into Leon’s rig and jammed free form with Artimus for a good fifteen minutes. What an ambitious player. All these nuances and off time licks, but still able to keep great time. That happened a few more times and all fun stuff. One afternoon, I heard Allen fire up and join in. That jam turned into “Politician” by Cream. That went to “Crossroads” that I just happen to know almost note for note. I’d just turned twenty one and finally understood the beauty of playing with great players that were all on the same page. I was rooming with Bob O’Neal, who worked for Continental Lighting, one night. After a few beers and some Thai stick, I pulled out my acoustic and sang some covers with Bob. Heard a knock at the door and it was Ronnie and Gary who’d just got back from a club nearby. They came in, sat down then asked who was singing and Bob pointed at me. They were surprised and asked me to sing some more. I sang this song I wrote when I was seventeen called “I’m Trying.” Ronnie and Gary both were very complimentary on the song and my voice. This was a shock to me because I never thought of myself as a great singer. From that point, we became somewhat friendly with each other. I had to be real low keyed about this because I didn’t want to get fired for getting chummy with the band. They were a constant source of encouragement and support from that point on. Ronnie would see me and start singing “T done wrote a song, done wrote a song.” Sometimes, asking me to sing the melody for him again. It even got to the point where they were telling me to give up this crew thing and get serious about playing, writing and singing when the tour was over. Let me give you some insight into how pivotal this was for me. I believed then and now, that they were one of the greatest live bands I’ve ever seen. Forget the Southern rock thing, the rebel flags and that whole stereotype. They were as progressive as any prog band I’d ever been into, only in a roots way. They were as forward thinking as anyone I’d ever been around. They were the living breathing example of what a band should strive for and settle for nothing less. I was a young guy with some talent, a lot of drive and ambition. I was battling demons and insecurities going back to birth. Kind words and encouragement were a very rare commodity in Frayser. I had deep artistic sensitivity and couldn’t shake the memories of people who were determined to make sure you stayed as wretchedly miserable as they were. And here were these West Jacksonville boys telling me how promising they thought I was. Call me maudlin or sappy. You can even refer to me as over-dramatic. I thank God above for putting me at that place in time. I deeply appreciate that small act of kindness because it had a profound effect on the way I saw myself and how I viewed others. Someone I had admiration and respect for saw some good in me and had the decency to tell me how they felt. I had nothing that they wanted and there was no hidden agenda. They just did something good, not knowing the ripple effect it would have on another person’s life. By the end of that tour, the bickering between Bullet and Kevin Elson had become unbearable. I’m convinced that Kevin had had enough and Rock and Roll Audio would probably be replaced by either Showco, out of Dallas or Clair Brothers in Pennsylvania. The last show I did with them was the Tampa Jam in July. That was another horrific argument between the powers that be that had me in the middle. July in Tampa, Florida is as hot as any place on Earth. I showed up with the system, but no one else was there. Bullet and Kenny Roberts, the monitor guy, were late getting to the venue. Kevin was asking me to get the system up and running, because time was getting close to the first act. I knew how the system went up, but I was not sure on the board inputs. So, I did what I could, as I could. When Bullet showed up, he was screaming about why the system was put up without his being there. I directed him to Kevin and another classic confrontation broke out. The Outlaws were on that show that day and did a killer set. Skynyrd was as brilliant as always, even without Ed King. I had pretty much made up my mind that my days as a sound crew member were numbered. I said goodbye to Chuck Flowers and the other crew guys. I was flying back to Memphis and saw the band in the Tampa airport that morning. I knew things were tense between management and the sound company. Ronnie saw me and waved. He walked over to me and shook my hand. As he did, he smiled at me and said “T, if I see you back out here I’m gonna kick your ass.” I laughed and assured him that I was finished as a sound guy.
That’s the last time I saw him. That small act of kindness from them and my new found confidence, helped me become a member of the newly reformed Black Oak Arkansas two years later, in 1977. Someone from the group sent me a telegram congratulating me and signed it Lynyrd Skynyrd Band. Funny, because they didn’t think much of BOA as a band.
We were out with Blue Oyster Cult in October of 1977 in The Pacific Northwest. We were warming up in the dressing room when one of the management guys came in saying that he’d just heard that Lynyrd Skynyrd had died in a plane crash. I was in shock at the mention of this and asked if they were sure. He said he’d just heard it on the news that they plane went down in Mississippi and there were a lot of casualties. My heart sunk deeper by the second. Then he looked right at me, smiled and said, “This is the happiest day of my life!” My fellow band mate, Greg Redding was standing next to me and was stunned at what he’d heard. He knew my connection with them and said somberly, “That’s cold blooded, man.” To this day, there’s no legitimate reason why that comment was made. Two years later, Black Oak is dying a slow painful death and we’re touring just to stay alive. We’re playing in Jacksonville and Craig Reed calls me at The Hilton. He’s asking if I can get away and come see the guys. I had lots of time and said I’d meet him down in front. Craig was the drum tech back when I was there and last I heard, was still with them. We caught up on old times and he drops this bomb on me, telling me that Chuck Flowers killed himself shortly after the crash. That left a serious scar on my memory bank and I still think about Chuck from time to time. We drove out to Allen’s house outside of Jacksonville where they were just forming the Rossington-Collins Band. Before we got there, Craig is asking me not to bring up the crash because they still had a difficult time talking about it. Some of them were still banged up and walking around on canes. Allen and Billy weren’t there. Gary was moving slow but in good spirits. Artimus had just been in a motorcycle accident a month or so before and he was banged up from that as well. There were some new faces that I didn’t recognize but there was a nice vibe and enthusiasm about the new project. Out of the blue, Gary starts talking about the crash. He’s telling me that the plane was having problems earlier and that everyone had a bad feeling about getting back on board. He reminded me how Ronnie could be sometimes and that I knew the rest of the story. I was getting choked up a little and wanted to start emphasizing how much their support and encouragement meant to me, but I didn’t. Instead, we talked about how Black Oak went from what they were to the hideous state they wee in now. He talked a little about the new band but somewhere in the middle of all that said that he knew I’d make it. I joked with him that six guys in a van wasn’t exactly “making it.” We said goodbye and Craig drove me back to town. That’s the last time I saw them. Allen passed on a few years later. Leon left us just a few years back. There’s a new version of the band out there carrying on the legacy. I saw Billy Powell at The Horseshoe Casino shortly after Leon died. He said he had a hard time dealing with that because they had known each other for so long. I remembered that he'd told me the same thing in 1974. Over the years, there have been lawsuits, feuds, accusations, lies and an induction into The Rock and Roll Hall of Fame recently. I’m a little saddened because the biggest part of the listeners out there have reduced them to about three songs. They’re using “Sweet Home Alabama” to sell something resembling fried chicken these days. Someone yelling out “Free Bird” at a show is always good for a laugh or two. I was fired from a room two years ago for not playing it when these two yahoos requested it. I’m not pretentious enough to lie and say that Ronnie Van Zant was a close friend of mine. That’s just not true. I only got to know a very small part of him. The rest I got from observing the guy. One thing I can say with all conviction, is that I think he’s up there begging people to check out the rest of the catalog. I played with another big band or two, but young kids still become enthralled when I talk about my brief time with them. There are so many people out there that never got to experience what I saw back then. The good, bad and ugly of it will stay with me forever. I have a tendency to always lean towards the good though. So, to Ronnie, Gary, Allen, Billy, Ed, Leon and Artimus , I wish you all God’s peace and blessings. Thanks for that simple act of kindness.
Andy Tanas
Copyright 2007, RT Etc. Publishing
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Jonesborough's Cranberry Thistle - Col. Tamar Alexia Fleishman
Posted by admin on Thursday, November 01 @ 00:00:00 CDT (968 reads)


For some real Southern hospitality, you have to get yourself to the Cranberry Thistle in Jonesborough, Tennessee. Nancy Colburn and Jo Storie, who are sisters, own this café/music venue/neighborhood gathering place in Tennessee’s oldest town. They make fresh breads for their unusual and classic sandwiches. All the desserts (including those famous berry scones) are made from scratch, too. Basically, you can start your day there with a hot breakfast and finish with homemade delicious light dinners...like their homemade chicken salad on croissant!
But the Cranberry Thistle is so much more than just a place to snack. They have a computer for people to check email. There are a bunch of board games and reading materials. They encourage you to hang out – they boast of being on “Jonesborough Time”! It hosts the best regional roots and Americana music on the weekends. During the Christmas season, they have a popular harpist. All the shows are so well attended, you’d better make reservations!
Here are some photos of John Lilly and Rob McNurlin during the standing-room-only Hank Williams, Sr. tribute.
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More music reviews - Col. Tamar Alexia Fleishman
Posted by admin on Thursday, November 01 @ 00:00:00 CDT (1278 reads)
Review of John Kline – Col. Tamar Alexia Fleishman
Guitar freaks out there, you’ll dig John Kline. He doesn’t cover up those bad-ass riff with goofy or whiny lyrics…it’s pure music. Even when he does sing, it’s clear and stripped down . . . but it’s the instrumentals that sing on their own. Readers will like the songs that are more rockin’, like “Fruition”. He has some more psychedelic songs in his repertoire, as well.
He’s lived in Tallahassee and currently resides in Mobile. Interestingly enough, he’s a psychology professor and research scientist… maybe he should meet up with Stephanie Bennett and Black Boot Trio! For more info, check out www.johnnykline.com.
Review of Bootleg Audio – Col. Tamar Alexia Fleishman Bootleg Audio hails from Gainesville, Georgia. Bootleg Audio is super modern rock…tough young guys, but with the chops to back it up. You can hear their take on life – without screaming, thank you very much – in songs like, “Break You Down”. I have listened to a few songs and I’m curious what they sound like when they’re not dialed up to 10 on the angry dial. They count among their influences Zepplin, Velvet Revolver, Stone Temple Pilots and Black Sabbath. Review of Ann Blair – Col. Tamar Alexia Fleishman Ann Blair hails from Woodbridge, Virginia. She’s got the country/pop thing going, but with original songs. Tunes like “Daddy’s Car” show some unique sounds and rhythms. “Love You By the Way” probably could get some national country radio airplay. She has a clear voice and the production values in her recordings are decent.
She counts as her influences Patsy Cline, Reba and Loretta Lynn.
For more information, check out http://www.annblairsite.com. Review of Michael Reno Harrell – Col. Tamar Alexia Fleishman
Michael Reno Harrell is a popular storyteller/songwriter from the “Southern Appalachian Mountains” of Tennessee and North Carolina. Songs like “Lucinda” are driving. He has an Arlo Guthrie quality to his voice. Songs like “This Old Truck”, “Dixie Breezes” and “Southern Suggestions” should appeal to readers. Harrell has played in 40 states over a period of 40 years and is sometimes called the “Appalachian Mark Twain”. Certainly, if you attend Americana fests across the South, you’ve seen him or will see him.
Review of Mike Cullison – Col. Tamar Alexia Fleishman Mike Cullison is an Okie Americana artist who made it out to Nashville. He counts among his influences Buddy Holly, the Beatles, Delbert McClinton, the early Elvis, ZZ Top and Carl Perkins. He has a real old time honky tonk sound. “Wish I Didn’t Like Whiskey” sounds like Hank Sr., if Hank Sr. had a twangier band with more steel guitars going on. “Pour Hank on the Pain” reminds me of some Ernest Tubbs records.
Mike Cullison plays in Nashville a bunch and his band changes according to “who’s on the road”. For more information, check out http://www.mikecullison.com Review of Ronnie Baker – Col. Tamar Alexia Fleishman

Ronnie Baker says he is influenced by those classic country revivalists Vince Gill and George Strait. Hailing from Wilmington, North Carolina, Baker won musical talent shows as a kid. He’s now winning competitions such as WKRO’s “Showdown” with his songs. “Somebody Stole the Sun” beat out industry faves such as Keith Urban. He definitely has song writing ability and I predict that eventually, Baker will be the influence behind the scenes of up and coming stars. “One Bar Town” is crying for some young turk to take it all the way to the top. For more info, check out http://ronniebaker.net. Review of Jesus Aaron – Col. Tamar Alexia Fleishman Jesus Aaron is Georgia born, but bred in India. His singer/songwriting has been compared to Dylan. “Couture de Jour”, with its esoteric sampling, reminds me of Danny Barnes. And, like Danny Barnes, he is firmly planted in his Southern roots, with his own version of “Man of Constant Sorrow”. “We Like Pretending” has the lilt of 1960’s British and Irish songwriters, very Donovan. Jesus Aaron (it’s hard for me to just type out his nickname!) has that magneticism that should lure in young (and older) music purchasers for years to come. He’s also bound to be a force in the business itself: he just organized and is featured in the Heart of Georgia Singer/Songwriter Tour, representing a range of Georgia’s styles.
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Review of Crystal Gayle's Greatest Hits - Col. Tamar Alexia Fleishman
Posted by admin on Thursday, November 01 @ 00:00:00 CDT (1064 reads)
Crystal Gayle is one of the people responsible for bringing Country music to a greater part of the US. In her day, the mix of pop and country in a song was a novel concept – making people who thought they “hated Country” like it. It certainly didn’t hurt that she was glamorous, with that seriously long hair. She was, and remains, instantly recognizable. So many stars kind of fade into a packaged concept.
In honor of the 30th anniversary of “Don’t It Make My Brown Eyes Blue,” she has released a collection of greatest hits. You’ll get the best of the era: the top studio musicians, production and clear voice of Crystal Gayle. Then, you’ll remember just how blindingly popular her songs were and are: “You’ll Never Miss a Real Good Thing,” “Don’t It Make My Brown Eyes Blue”, “Talking in Your Sleep”, “You and I” (with Eddie Rabbitt), “Why Have You Left the One You Left Me For” and so many others.
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| Thursday, November 01 | | · | Review of Corey Smith |
| · | Musicians Tap Social Networks for Merchandizing |
| · | Bristol Rhythm & Roots Fest - Col. Tamar Alexia Fleishman |
| · | Interview with Ty Oliver - Susan Snider |
| · | Pat Adams' (Tennessee Concerts) View on the 30th Anniversary of the Lynyrd |
| · | Bill Smith's Take on the 30th Anniversary of the Lynyrd Skynyrd Plane Crash |
| · | Review of Brandi Thornton - Col. Tamar Alexia Fleishman |
| · | Review of Johnnye Allee - Col. Tamar Alexia Fleishman |
| · | Review of So Be It - Col. Tamar Alexia Fleishman |
| · | Review of Crystal Gayle's Greatest Hits - Col. Tamar Alexia Fleishman |
| · | 'Til The Cows Come Home - Wolfgang Heuberger |
| Monday, October 29 | | · | The Passing of Porter Wagoner |
| Thursday, October 18 | | · | Largest Southern Rock Event of the Year!! |
| Saturday, October 13 | | · | J.J. Cale Contest |
| Tuesday, October 09 | | · | Another Free Bird Flies Home - Susan Snider, Head Writer |
| Monday, September 10 | | · | Another Freebird in the Southern Sky |
| Wednesday, August 01 | | · | Music Reviews |
| · | Review of Peppertown - Col. Tamar Alexia Fleishman |
| · | October 19, 2007 NUTHIN' FANCY TRIBUTE BAND |
| · | Mason Dixon Line Band Reviews FingerWeights! |
| · | ISSUE DEDICATED TO OUR FRIEND, GEORGE McCORKLE (1947-2007) |
| · | Paying Last Respects to George McCorkle (photos) |
| · | Tony Beazley's Take on the Kentucky Prison Gig! |
| · | Tony Beazley's Photos of George McCorkle |
| · | Anthony Scarlati's Photo Tribute to George McCorkle |
| · | The Church of Southern Rock: New Southern Rock All Star CD becomes a memorial t |
| · | Hank Williams on You Tube |
| · | 30 YEAR ANNIVERSARY BUS TOUR |
| · | Ronnie Van Zant poem - Jody Willman |
| · | Merle Haggard's New CD - Col. Tamar Alexia Fleishman |
| · | Mike Osborn & Texas Holdem - Susan Snider and Mike Osborn |
| · | Volunteer Jam Concert Review - Barry McGarrh |
| · | The Next Adventure |
| · | The Carter Family Fold - Col. Tamar Alexia Fleishman |
| · | Gary Allen's Take on The Outfit's Kentucky Prison Gig! |
| Wednesday, July 04 | | · | Farewell to George McCorkle |
| · | George McCorkle/Marshall Tucker Band YouTube Links |
| Friday, June 29 | | · | The Passing of George McCorkle |
| Wednesday, June 13 | | · | 30th Anniversary Lynyrd Skynyrd Bus |
| Tuesday, June 05 | | · | Friends of Southern Fried on the Charts |
| Saturday, June 02 | | · | Rob McNurlin & The Beatnik Cowboys Will Be on PBS Next Week! |
| Wednesday, May 02 | | · | CAN WE PICK 'EM OR WHAT?! |
| Tuesday, May 01 | | · | The Whiskey River Band - Col. Tamar Alexia Fleishman |
| · | LYNYRD SKYNYRD PLANE CRASH OCTOBER 20, 1977 GILLSBURG, MS |
| · | This Issue's Music Reviews - Tamar |
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| · | Mark McGee, Fmr. Allman Guitarist, Hits it Home with LuvPlanet - Susan Snyder |
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Staff  Bruce Wall - Creator  Teri Merchant - Editor Susan Snider - Writer Jody Willman - Writer Tony Beazley - Photographer/Video This magazine is dedicated in loving memory of magazine's co-founder, our best friend, and inspiration, George McCorkle. We miss you brother. Special Thanks to our many contributors, freelance writers, etc., including:
Dr. Tyrone Bellamy, Gary Allen, Pat Adams, Andy Tanas, Tony Beazley, the clan over at DownSouthJukin.com and all the other great folks (too many to name here).
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